ABOUT SLAY MODELS
Slay Model Management is the premier management company representing transgender fashion talent. We see trans individuals as beautiful. Our strong commitment to developing them as successful models is not about quantifying the model's gender, it is about their passion and commitment to being the best possible models they can be.
We're here to Slay and we're here to stay!
Genesis started her career as a make-up artist working with artists such as Green Day, Thirty Seconds to Mars, DJ House Mafia, Blush, Rodgers and Day Dreamers. Her published work has appeared in Flaunt, Coco Ecco, Syn, Revs, Schon, ELLE, Bellow, L'Officiel, Harper's Bazaar, Glamour, Fantastic, Elements, Tinsel, Duh, Jute, London Times and was a make-up contributor for Marie Claire Indonesia. Upon parlaying her career as a make-up artist into photography, her work has appeared in Vogue, Kit, Defure, Trash, Belloe and Jute.
DIRECTOR OF SCOUTING AND DEVELOPMENT
Cecilio started his involvement with the trans community a few years ago directing his documentary, "What's The T?". He was the recipient of the Outstanding Filipino American Award for LGBT advocacy in 2012. His work currently appears on HULU, Amazon, Indieflix and Comcast. Combining his eye for talent and love for fashion he has embarked on a new adventure founding Slay Model Management, LLC discovering and developing premiere transgender talent. He has recently been featured in The Advocate, Huffington Post, The Hollywood Reporter, Vogue Espana, ELLE, Cosmo, I-D, InSyle, Paper Magazine, E! Online, NPR and more!
Natalie Chang is a Peruvian Videographer and Photographer graduated from The Academy Of Arts University of San Francisco and is currently based in Los Angeles, CA. Natalie has been working in fashion videos for campaigns such as T-Charge sunglasess featuring actor Josh Duhamel and Swedish fashion apparel Ricovero. She also publised a portrait of Brooklyn Trans singer and song writer Nomi Ruiz in OUT Magazine creating visibility for the trans community around the world.